As we mentioned a couple of weeks ago, we are once again pleased to be partnering with the International Home + Housewares Show. With over 60,000 homegoods professionals showing off the newest housewares, it's easy to overlook the lineup of speakers the event has to offer. Fear not—the International Housewares Association has put together a series of blogposts featuring the event's keynotes—including speakers from Kickstarter, Food Network and Catalyze Chicago, the new community for hardware entrepreneurs, among many others. Make sure to read up and plan out your must-sees before you head to the big show.
Watch this space starting next weekend for our coverage, live and direct from the exhibition hall at McCormick Place.
This year's Design Shanghai was absolutely packed with visitors, to say the least, as the mixed international and local Chinese audience managed to fill the vast Shanghai Exhibition Centre. Compared to many other design fairs and exhibitions, Design Shanghai was extremely well advertised to the Shanghai public—the lines for general entrance and the Collectibles were astronomically long, but this was quite a welcome sight, showing the general public's growing interest in design and design culture.
Design Shanghai featured exhibits featuring over 40,000 designers. Because the event is planned by predominantly foreign organizers, there were unfortunately not as many homegrown designers, but there were a couple of gems we still managed to pick out.
In terms of emerging designers, the CIID Awards were the highlight, recognizing 120 interior designers with the "Outstanding Young Interior Designers of China" Award based on several criteria: performance during 2011 and 2012 in terms of impact, design programs, work experience and participation in competitions. The organization did a fantastic job of identifying and curating a diverse range of interior designers, from those who sparkle a room with traditional elements to designers with who create with entire futuristic ensembles.
Powerhouse design duo Neri&Hu and rebel designer Naihan Li both had fantastic exhibits with their latest products. Naihan prominently featured her Skyscraper Candles, which has expanded in the number of countries and cities. Neri&Hu collaborated with Jaguar, the exhibition's key sponsor, and Wallpaper Magazine to re-engineer the distinctively British picnic basket with a Chinese perspective and carbon fiber.
You heard it here first: "3D printing is having its 'Macintosh moment.'" So says the team behind a new full-length documentary on the subject, directors Luis Lopez and Clay Tweel and producer Steven Klein. Hollywood Reporter fills in the blank: Pettis is the Steve Jobs of the movement, a shorthand for an upstart who will bring us a product that we never knew we needed through sheer force of will. (Meanwhile, the colossal quarter that he has rendered for the website and poster features his face instead of one of our founding fathers, casting Jobs as none other than God.)
Print the Legend will premiere at SXSW Film Festival this weekend with a handful of screenings in Austin, and if the forthcoming dates are TBD, at least the press materials include a selective history of 3D printing. Between the trailer and milestones listed below, it looks like there's definitely a narrative arc to the documentary...
During the 2012–13 Biomimicry Student Design Challenge (BSDC) competition, I discovered that solving humanity's biggest design challenges requires new skills applied within a comprehensive framework that integrates sustainability. I gained a deeper understanding of the Buckminster Fuller Institute's tenet of what Fuller described as "comprehensive anticipatory design scientists." (Fuller, 1999)
Learning from nature
Biomimicry, the practice of emulating models and strategies found in nature, provides designers with tools for seeing and learning from nature in new ways (Biomimicry 3.8 Institute), serving to both embed an ethos of sustainability and potentially inspire radical thinking.
For the competition, I explored the use of biomimicry as a process for creating a sustainable product as well as a scalable social enterprise idea. Under the inspirational guidance of Denise Deluca, co-founder and director of Biomimicry for Creative Innovation (BCI), this work ultimately grew from my Master's thesis project.
My design concept was a water treatment system called SolDrop. My team went on to become the only US finalists in the global 2013 BSDC and I had the honor of presenting at the Biomimicry Education Summit and Global Conference in Boston that year.
SolDrop Solar Still concept by Stefanie Koehler (competition entry for the Biomimicry Student Design Challenge)
Current projects: I just launched a radio for Lexon named Hybrid, and I'm working on new meeting spaces for Pullman Hotels. I recently won a competition for the interior design of the Grand Palais in Paris; that will be a project of maybe ten years in the works. I'm also working on new spaces for the luxury watch brand Audemars Piguet during Miami Art Basel. And I'm working on a project that will be launched next July in Cambridge, Massachusetts. It will be a place named Le Laboratoire that includes a cafe, a restaurant, a store, an auditorium and an art gallery. It will be just between Harvard University and MIT.
Mission: To be as close as I can to the human beings I work for, and not to consider them as "targets" or "consumers" or "clients" but as very complex machines—as human beings are—and try to find the best way to serve them.
Above and top right image: Lehanneur's Business Playground for Pullman Hotels. Portrait by Jean-Luc Luyssen / Madame Figaro
Wiser, a collection of devices that measure and manage household energy consumption
When did you decide that you wanted to be a designer? When I was probably 15 or 16. Basically, I wanted to be an artist, and my father was an engineer, so I decided to combine both visions.
Education: I went to design school in Paris, at École Nationale Supérieure de Création Industrielle (ENSCI Les Ateliers). I was supposed to stay for five years but I ended up spending seven years there.
First design job: Actually, the day after I graduated, I decided to work without any boss, because it's not easy to share vision. So my first job was as a freelancer for the Palais de la Découverte, a science museum in Paris. I was commissioned to design all of the interactive devices for explaining astrophysical phenomena to the public.
Who is your design hero? Probably Buckminster Fuller. He was a thinker, a scientist, an architect, an engineer—a designer, basically.
One of Lehanneur's employees in the designer's Paris studio