This is a true story. Descriptions of companies, clients, schools, projects, and designers may be altered and anonymized to protect the innocent.
Editor: This True I.D. Story comes to us anonymously, from an up-and-coming designer ready to hit the trade shows. All he needed was a little manufacturing help...
I'd been working on this one [tabletop item] design for a while, I think Core77 even covered it. After a long development time, I finally got it to a point where it was time to industrialize it, get somebody else making it. Before that point I'd just been cranking out prototypes myself, with my little shitty little Craftsman router table—in other words, I was not set up to do any kind of real production.
So I'm looking around for someone who can get the job done and I hear about this one older dude, I'll call him OPG for Old Production Guy. He's a friend of a friend of a friend, within an hour's drive of my shop, and is by reputation a fantastic woodworker. He came highly recommended with years of experience in the furniture industry. The word was that he'd eventually moved on into a tangential field related to woodworking machines, but was now reportedly itching to make stuff again. With all of his experience, he sounded like a good fit, and having worked in the industry, he presumably knew all about the importance of deadlines.
So I pay him a visit, and this dude has a gigantic warehouse with access to like every woodworking machine under the sun. Table saws, bandsaws, router tables, shapers, planers, joiners, and all of these crazy contraptions for performing multiple operations at once. He grabbed some scrap wood and demonstrated the tolerances of some of the machines for me and they were pretty impressive. You could tell by the way he handled the wood and the machines that he'd been doing this his entire life.
I figured with a warehouse full of equipment like that I might be too small-potatoes for him—I just needed a small run of these [objects] that I could bring to a trade show—but after I pulled out my drawings to show him, he seemed excited by my design and eager to make it, and my low numbers didn't faze him. I got the vibe that he just wanted to make sawdust again.
So he asked me to bring out two prototypes, as I had designed both a smaller and larger version and he wanted to see them both. I brought them out there and we had lunch and talked about it while he looked the prototypes over. At the end of the meeting he goes "Okay, why don't I try to make a couple of these and we'll see how it goes? And then we'll go from there."
I was like "Wait, don't you need like a deposit? Or to like, give me a quote?"
"Nah, don't worry about it, we'll just test it out," he says. And I'm like "Oh, sweet!"
So this was my first misstep.
Using sheets of acetate, some markers and his phone's built-in camera, the artist known as Hombre_Mcsteez creates brilliant animations that overlay his drawings onto the environment. Mcsteez, a.k.a. Marty Cooper, refers to the clips as "Aug(De)Mented Reality," and a more accurate description isn't possible to create:
Cooper regularly updates his Instagram page with both still shots and mini-videos, like this update on the classic videogame Frogger:
Every once in a while, a star shows up on Jimmy Kimmel Live and you find that their mother is sitting in the audience. On the show last night something similar happened, albeit with an unusual guest—a bipedal 14-foot monster named "Bodock." Watching proudly from the crowd was Stratasys manager Leslie Frost, tweeting pics and updates.
That's because key parts of the creature, like the chest armor, shoulders, arms and fingers, were enormous ABS parts that came out of a Stratasys 3D printer. "Everything about the giant creature project was ambitious, including size, weight, delivery schedule and performance requirements," says designer Matt Winston. Without large-scale 3D printing and specifically, access to a Fortus 900mc, which has an insane build envelope of 36”×24”×36”, "none of it would have been possible."
Designed by FX house the Stan Winston School and engineered by technical firm Legacy Effects, "Bodock" was created for San Diego Comic-Con, which opens tomorrow. (Kimmel watchers were given a sneak peek a two days early, as the host gleefully revealed to a crowd of unsuspecting kids that Bodock contains the internal plumbing to spray liquid sneezes.) Leading up to the launch, Wired's been tagging along and shooting the development process:
I hate to write this, but "You'll never believe what happens next!"
Speaking of anamorphosis, check out French artist Bernard Pras' nutty room-sized sculpture below. Pras practices the cylinder-free variant of anamorphosis, and the results have to be seen to be believed:
Charles Edward Stuart, colloquially referred to as Bonnie Prince Charlie, fomented the Jacobite uprising of 1745 in an effort to seize the British throne. Charlie's Scottish troops were defeated in battle a year later and he fled to France. In the brutal English crackdown that ensued, Scottish households found to contain a portrait of Bonnie Prince Charlie were in for trouble, so former supporters interested in surviving got rid of them.
But not all of them. One artist used a clever technique to secretly hide a portrait of BPC in plain sight. A seemingly abstract circular pattern was painted on a tray...
Image by Kate Furr-Danner]
...and once a mirrored cylinder was placed in the center, boom, you had Bonnie Prince Charlie staring back at you.