It rains a lot in the Pacific Northwest, which sucks if you're outside and are trying to write something on paper, as loggers once needed to. So in the 1920s, well before ruggedized tablets were invented, a guy named Jerry Darling created waterproof paper and sold it in notebook form to the logging industry.
Today the company Darling started has evolved into Rite in the Rain, which manufactures all-weather writing paper. Here's how it stacks up versus regular paper:
We gave you a brief look at this awesome Lego Calendar project earlier in the year, but this is worth a closer look. The UK-based design studio formerly known as Vitamins (now called Special Projects) devised a physical calendar for their studio made out of Legos. Sounds simple, right? Been done before, yes? But here's the thing—this one can be synced to your iCal, Google Calendar or what have you. Check it out:
Since the syncing is one way—which is to say, moving a physical brick will eventually result in the online calendar being updated, but not vice versa—you might think that's a detriment. But Special Projects points out that it actually has an organizational benefit:
We're... working on what happens when someone remotely wants to change a date, perhaps they're abroad and need to modify something. Well the next time somebody in the studio uploads a photo of the calendar, they will get an email back immediately, asking them to actually move the bricks that have been modified. It sounds crazy, but this way you actually notice when something has changed, and you need to physically find a place to put the bricks you have removed—rather than a digital square quietly vanishing in the background on your computer screen.
The team—Adrian Westaway, Clara Gaggero, and Duncan Fitzsimons with the assistance of Simon Emberton and Julia Eichler—invented the clever system in 2012, and were hoping to be able to release the software earlier this year. "This is taking a little longer than expected," they write, but Adrian and Clara are still chugging away on the project. If you'd like to get updates, you can sign up here.
Last week, we published a piece on the Bottlass packaging design in which I was critical of the concept. We were since contacted by Kyung Kook, the Vice President of Bellevue-based Innovative Design Service Inc., the company that produced the design. In his response, Kyung rebutts several of the points made in the original entry, and has included photographs showing that the Bottlass is, in fact, in production. Kyung's response is printed below.
Frankly, I was very excited to see the [Core77] post about our design, "Bottlass" and am pleased that someone was interested enough to share his take on our design. I believe this is a valuable opportunity to look at our design from a different perspective.
First and foremost, the design phase I of Bottlass is actually being manufactured and sold in South Korea at this moment.
The product based on our design was made available to the public in Korea since April of this year. The material used is called eco-zen, a type of enhanced plastic.
Secondly, I am aware that opening the container may cause a bit of hassle. But this can be easily fixed. If we print instructions on the container, informing the drinker to set up the container before holding it in place and pulling off the seal, this should bypass the inconvenience. It may take a bit more steps than the conventional bottles or cans, but the excitement and satisfaction gained from Bottlass's unique design will do more than justice.
So your kid draws all over your expensive carpet with a handful of Sharpies. You're so infuriated that after giving him a time-out, you need to go outside to carve some sand patterns in your Zen garden just to cool off. Well, if only you had access to the designs of Yuta Sugiura, a professor at Keio University's Graduate School of Media Design, you could cleanly ameliorate both situations.
Sugiura headed up the research team that produced "Graffiti Fur: Turning Your Carpet Into a Computer Display." Three clever devices can put images that you've either drawn or captured onto a plain ol' carpet, Sharpie-free and completely reversible:
Sugiura's team—which was comprised of researchers not only from Keio, but from the Nagoya Institute of Technology and The University of Tokyo—presented "Graffiti Fur" at this month's SIGGRAPH in the Emerging Technologies & Studio Collaboration category.
In a previous life, I rendered bottles for a living, and as I was doing it without rendering software, I was always happy when the assignment called for glass and bummed when it called for PET. PET bottles always had crazier shapes, and the amount of reflectivity required to get the material to read was a PITA.
I thought of this while watching illustrator Marcello Barenghi's YouTube channel, specifically this illustration of a Heinz ketchup bottle, which clearly reads as PET:
Obviously a hyperreal illustration and an ID rendering are two different things, as the latter's more concerned with form, gesture and emotion than cold accuracy, but Barenghi's understanding of light, texture and surfaces is unparalleled. So much so that while his channel is called "How to Draw," it might as well be called "Things Most of Us Wouldn't Want to Render by Hand." Like this ruby: