Global brand Braun celebrates its 100th anniversary in 2021, a milestone few reach. The company is simultaneously hosting the 21st BraunPrize International Design Competition, an international competition aimed at promoting the work of students and young creatives. This year, young, up-and-coming designers and inventors will be tasked with exploring "good design" to address and solve the challenges of today and "shape tomorrow." The winners will take share in a total prize value of $100,000 USD.
We sat down with Prof. Oliver Grabes – Head of Design at Braun and the chairman of the BraunPrize since 2012 – for a better understanding of "good design" and why competitions like this matter more than ever.
Oliver Grabes, Head of Design at Braun - image courtesy of Braun
Q: "Good Design" seems like a concept with many possible definitions. What does it mean to you, and why does it matter in the world today?
A: For us at Braun, products need to be useful, simple and built to last. We think this approach of "good design" can apply to many products or concept across categories and product forms, addressing virtually any kind of challenge. That's why "good design" is the driving principle for the BraunPrize – we aim to improve thoughtful, sustainable design for all categories, and all users.
Q: Growing a brand for a century is no small feat, and likely required Braun apply principles of "Good Design" to your own products and approach in the market. How do you see "Good Design" impacting your future?
A: The mantra of "Useful, Simple and Built to last" has been foundational to our brand, how we design products and what is important to us. We're celebrating this guiding principle all year, as a way of reinforcing its importance to our future success. We have put together an exciting program of activities across this special anniversary year, one of them being the BraunPrize 2021. The Prize is targeted especially to younger generations, to get involved in 'good design for a better future' because, at the heart of it all, Braun is about user-centric design and we want the brand to stand the test of time.
2018 Braun Prize jury members reviewing and discussing entries
Q: How are you using design to stay relevant in a world that evolves rapidly week to week, let alone across a century?
A: With our 100th anniversary, we see the opportunity to do more than celebrate our past; our aim is to bring Braun's belief that design should be Simple, Useful and Built to last to broader audiences, especially younger generations. As an example, we collaborated with one of today's foremost designers, Virgil Abloh, to start the conversation around the role of design by reimagining a Braun icon from the past 100 years. To continue the dialogue around good design, we asked Gen Z-ers around the world what challenges they face and how design can help overcome them in the future. The learnings will enable us to build on our design principles and stay relevant for the next 100 years.
Q: How does the BraunPrize fit into this equation?
A: The BraunPrize is a tri-annual celebration of the best and brightest thinkers. Encouraging young creatives to move into this field – and showcasing their best efforts – only serves to benefit us all. Together, international collaboration and competition will bring all of us forward into a future with evermore thoughtful, useful designs that stand the test of time.
Q: How did you come up with this year's theme, "Shape Tomorrow"? What are you expecting to see from entrants?
A: Good design has a critical role to lay in addressing problems and driving change that betters our lives today and tomorrow. In a recent global study we conducted among 18-25 year-olds, we found Gen Z believes that good design will play a pivotal role in its future. In fact, 4 out of 5 (78%) agreed that accessibility—regardless of age, impairments or skill level—and ease of use are the single most important areas in which design can deliver an impactful change. That's what we want young designers and creatives to have in mind when they consider our theme of "Shape Tomorrow." How will their proposed design meaningfully change the way we operate in the world for the better? How will they help promote behavioral change and make an impact on today's society and the future of our planet? Design that can affect this type of positive social impact is good design at its best.
Q: What is new with this year's BraunPrize?
A: With our centennial anniversary coinciding with the triennial BraunPrize competition, we've increased this year's total prize value to $100,000 USD. The principles of good design that are embedded in the BraunPrize are also central to our own values – and we want to show that commitment with an even stronger incentive for young designers to enter. We've also made additional shifts to make the program more accessible for all, including a move to be all-digital and opening the competition to design ideas and visionary concepts. This year, we will also appoint international design leaders from across the globe to form the BraunPrize Jury Panel and the competition with culminate in a digital award ceremony in November.
Q: Fast forward to October, the winners have been announced. What would have made you particularly proud?
A: I know I'll be proud when the design ideas and concepts submitted illuminate our path toward shaping a better future. I know we'll get there, because I continue to be in awe of the creative and unexpected nature of our entries. Young designers and inventors around the world come to us with sharp insights, thoughtful detail and tremendous passion. Having the opportunity to work with them – and ultimately to support their progress in this field – gives me great hope for the future – as this young generation is taking action to shape it.
For more information on how to enter the BraunPrize competition and follower news on the winners, visit www.uk.braun.com/en-gb/braunprize
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This is an amazing opportunity, If you are a student or recent graduate you must make an effort to submit an entry. As someone too old to be allowed to enter, I find it a shame that these competitions always focus on students or those who have graduated within the past 5 years. There are many who qualified as a designer but never ended up working in the field as a creative, but maintain a creative mind. We end up in unrelated industies or jobs, but life and age gives us perspective a young student or graduate does not posses yet. The concerns of the future are just as relevant for those of us in mid-life or later, as for those at the start of their working life. I would love to see more competitions that reflected the non-linear careers and development of creative people and were maybe open to anyone limited or non-commercial experience of designing for a living. Someone might disagree and I accept that we also need to give our students all the help they can get. However, I am writing this from the perspective of a person who has had a supporting career in a creative industry and had several design students on placement who I have helped to manage and direct their creativity or decide on a career change.