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Sketchnotes 101: Visual Thinking
J Walters
http://wp.me/p1KbDr-dR
I would encourage the just-starting-out sketchnoter to not worry too much about what an outsider would gain from looking at your visual notes at first. As an artist, let what speaks to you land on your page - and trust it will be attractive in the end, as it was infused with your own artistic spark. Learn to trust your ability to gather the content before you worry about arranging it in a uber slick way.
So, looking forward to your next article on "how to sketchnote"
Kudos for a nicely-done article here! :^D
I'm a graphic recorder and facilitator...and I'm also one of those folks who does her sketchnotes (I call them VizNotes) in all sorts of colors. As Eva-Lotta shares, my notes and color-work are all done in real-time, never as a follow-up embellishment, and it's actually an integral part of my visual listening process: my color work serves to keep me focused on what's happening in the moment and act as a natural memory enhancer.
Basically, my process is to have the blank page, have my pens, and listen. What speaks to me from the content is what goes down on the page, and it organizes itself organically. (I never plan, sketch, or organize in advance.) When I take VizNotes, I capture the things I want to remember...unlike my graphic recording projects which cast a much broader net in order to serve as a group memory. And, as Craighton writes, my VizNotes are absolutely personal (my notes reflecting MY perspective of - and interest in - the subject matter), public (usually shared with others), and part of my visual listening practice. I can't not do them!
Thanks for this post, and the conversation thread! I'm very glad to have found it, and I'm looking forward to the next!
has much to do with this way of thinking/understanding/ and presenting...
http://en.wikipedia.org/wiki/Understanding_Comics
c3
thanks
The sketchnotes Craighton included in this post are actually all taken in real time during the talks, so no extra time 'wasted' afterwards to add embellishments.
I don't quite agree with you, when you say the goal of note taking is "to lay down the biggest amount of information on the paper in the least amount of time". I agree more with the idea of useful "synthesis" which implies that it is not about the quantity of notes you take, but the quality and the depth of engagement you have with what was said or thought.
By synthesing and condensing some of the content visually during a talk (or a 'thinking session'), I process, filter and interprete what was said in real-time, which helps a lot to absorb and remember the content.
Also, when I take visual notes, I am looking for big picture and/or themes only, and rarely the more granular points. I can also attest that sketchnoting, for me anyway, is not planned at all. It is dependent on what the speaker says, and I have never had a transcript of the talk before the speaker began.
I will say that it's taken me about two years to get to where I am, and I still have a lot to learn. The faster the speaker goes through their content, or the more information I want to capture, the more typographic (word-based) my sketches are. The more big picture the content is, the more my sketches are visual. Again, sketchnotes are dependent on the sketchnoter's purpose and style, and the speaker's content and pacing.
what i'm looking for when i make notes, is to lay down the biggest amount of information on the paper in the least amount of time, so it really boggles me how is it that people take the time to paint their doodles in multiple different colours and make all sorts of graphic styling. This to me defeats the purpose of the intimate act that is making notes about something. it seems planned, and that it was made only for it's visual appeal (which i will not deny).
it's either that or i'm really slow at taking notes = /
I'm a long-time Core77 reader but this is the first time I've commented. I love this idea and especially how you broke the purpose down into three key concepts--PERSONAL, PUBLIC, and PRACTICE. The fusion of especially the personal and practice are what I think is the most exciting thing about this approach to note-taking as a way to fuel ideation. The personal draws upon everyone's innately unique "voice" when it comes to sketching, while the practice hones our ability to think outside of the screen. Since digital tools are so essential to the practice of design today, I find that the more time we spend in front of a screen, the more limited our thinking and ideas.
I actually did a post for Print Magazine's blog (imPrint) on this very thing. I called it "Offline Thinking for Screen Workers" (http://imprint.printmag.com/web-design/offline-thinking-for-screen-workers/) and shared some examples from my own notebook. I think they're similar to what you've shared here.
Looking forward to the next installment!
- Chris