"Otherworldly: Optical Delusions and Small Realities" now showing at The Museum of Arts and Design in New York presents an eclectic range of dioramas, models, and site specific installations alongside photographs and video created from the hand-built works. At first glance the exhibition feels like stepping onto a set you might expect to find in a stop animation studio with beautifully detailed miniature scenes constructed in unapologetic functional boxes—only intended to be viewed through a camera lens inside and up close.
The style of work included varies dramatically with curator David Revere McFadden making a connection between art, craftsmanship, design, and visual imaging as the common thread. To help visitors understand the exhibition, it's organized into four themes:
Features work by artists that recreate natural environments or propose alternative visions of landscape and nature.
Features works that reveal the darker side of the post-industrial landscape and the time-infused eroding urban environment.
Dreams and Memories
Includes works that capture and convey states of psychological angst, often in the form of dark and mysterious open-ended narratives.
Includes subversively witty scenes-satirical commentaries on art, culture, and politics.
While the multiple concepts of illusion are delightful in this exhibition, Core readers will immediately have an affinity with the painstakingly crafted dollhouses, theatrical sets, maquettes, and architectural models on display, mostly built to serve as photographic models. Work such as Alan Wolfson's Canal St. Cross Section is a stunning example of a stand alone miniature with working lights, secret view points and incredible detailing.