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There are six billion people on the planet, and something like 2.5 billion camera phones. Facebook alone gets more than 3,000 photos uploaded to it every second; since you started reading this entry, another 10,000 have gone up. Capturing images, once such a difficult and expensive process, has become something we unthinkingly do with little more than our thumbs. Photos are disposable. Forgettable.
Two years ago, photographer Daniel Carillo took a daguerreotype workshop at Rochester's George Eastman House photography museum. Seattle-based Carillo fell in love with the process, which is about as opposite to digital photography as you can get: An image isn't a quickly-captured string of code that lives on a website, but something that has been painstakingly burned into a shiny, solid piece of metal using alchemy and elbow grease. It took Carillo a year just to acquire the tools and materials needed to produce a single daguerreotype.
In the video below, fellow shooter Patrick Richardson Wright captures Carillo's process. It's so beautiful, you'll want to pull your cell phone out and snap a picture of it.
Via PetaPixel
I’m a lapsed industrial designer. I was born in NYC and figured I’d die there, but a few years ago I abandoned New York to live on a farm in the countryside with my wife. We have six dogs.
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Slow Photography: Dan Carillo's Daguerreotypes
http://petapixel.com/2013/02/20/wet-plate-collodion-photography-from-a-first-person-point-of-view/