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e

Architecture

The Original, Real-Life Dystopian Cityscape of Kowloon Walled City, and the Artwork It Inspired

KWC residents who saw Blade Runner probably wondered, "How did they get permission to shoot in here?"

By Rain Noe - August 6, 2015

Kowloon Walled City was a crazy social experiment, except there were no scientists in charge; the test subjects were.

On the site of a dismantled Chinese fortress in Hong Kong, refugee squatters began building makeshift homes in the 1940s. What started out as 2,000 refugees in huts gradually grew into 50,000 people crammed into ramshackle, unregulated skyscrapers leaning on each other for support. (It's reported that no architects or engineers were involved in building the structures, which went up to 14 stories, but were somehow erected by the community that lived there.) And amazingly, it all formed a cohesive—and largely contiguous—structure, resembling a castle or fortress.

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KWC had water and electricity siphoned from wells and the rest of the city, but was an unregulated mess of ad-hoc infrastructure largely unsupported by government. Police were afraid to venture inside (though unbelievably, postman were reportedly forced to deliver mail there!). It was filled with criminals, drug dealers and prostitutes, as well as honest families, schoolchildren and one-man manufacturing shops. The following illustration shows what a slice of it might look like:

Larger version of this image is viewable here

Tiny, cramped spaces did double duty, with units that were classrooms during the day transformed into strip clubs at night. There were restaurants and gambling dens, hair salons and convenience stores, unlicensed doctors and dentists. So close were the buildings that sunlight was hard to come by on street level; thus fluorescents were hung outdoors at ground level for illumination. Rooftops, meanwhile, became social spaces.

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The government finally shut it down in the 1990s and razed it. But in the years during and since, Kowloon Walled City has captured the imaginations of everyone from architects to sci-fi authors to set designers to artists.

Image by Greg Girard

Speaking of artists, photographer Greg Girard, who documented KWC in the 1980s, probably has the best photo essay on it (shot both inside and outside) right here. We also wanted to show you the fantastic KWC-inspired work done by a handful of illustrators:

Image by Keith Perelli

Image by Stefan Morrell

Image by Andrew Suryadi

Image by Nivanh Chanthara

Rain Noe

Rain Noe is a writer and industrial designer based in New York City.

4 Comments

Jon Ryno

2 years ago

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Dystopia typically means theres an underlying tyranny. KWC is the exact opposite...it's an expression of freedom. Unless your idea of dystopia is not being rich...

And the author does realize those people lived there by choice right?

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Iesekill Mutabor

3 years ago

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i belive ther should be also the referrence to the comic BLAME!, since it is drawn by an architect, clearly referrencing it in his set!

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Jim Hofman

3 years ago

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When I started traveling to HKG in the 80's you would need to drive around this mess in a taxi from the airport. It was REALLY scary looking and was a weird entry portal to what has turned into my favorite city on the planet.

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george sewell

3 years ago

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Love those Nivanh Chanthara illustrations

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