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University of Idaho
Senior Apparel Design Showcase
Apparel collections from the Senior Design Capstone course
Thanks to: Lori Wahl and Patrick Brown-Hayes
Participating Students
- BreAnne Servoss Cook
- Deb Siemens
- Kathleen Cox
- Sabina Poudel
- Soledad Villalpando
BreAnne Servoss Cook
As a child, BreAnne's favorite past-time was playing with dress-up clothes. Now that she's grown, she's transformed her love of clothing and design into two degrees: a Theatre Arts B.F.A. w/emphasis in Costume Design and Technology and a B.S.F.C.S. in Apparel, Textiles, and Design. During her time at the University of Idaho, she designed costumes for productions of True West, The Gift of the Magi, The Three Keys of Captain Hellfire, and This Random World. This collection was submitted as completion for her Apparel, Textiles, and Design degree.
This collection pulls the salty feel of the air, the calm before the storm, and the grit of a sandy shore together into a unified design. Inspiration was drawn from the sunny shores of Togo, Africa, the crowded beaches of Alabama, and the cold and cloudy beaches of Oregon. It is my hope that like a ship in a bottle, this collection provides a slice of the sea to Southern brides who want to make a subtle statement on their wedding day. In addition, this collection is particularly intended for brides with a budget.
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Crashing Waves Gown
This dress evokes the mood of the sea before the storm, and features custom-dyed panels and a pearl mesh capelet.
Tidal Pool Gown
This gown features a custom-dyed hem and a godet for additional fullness.
Flooded Dress
This look was created with scraps from the rest of the collection as a greener option.
Naiad Pants, Kelpie Camisole, Sea Foam Blouse
This look features a custom-dyed hem, a sheer blouse, and a custom-print camisole.
BreAnne Servoss Cook
As a child, BreAnne's favorite past-time was playing with dress-up clothes. Now that she's grown, she's transformed her love of clothing and design into two degrees: a Theatre Arts B.F.A. w/emphasis in Costume Design and Technology and a B.S.F.C.S. in Apparel, Textiles, and Design. During her time at the University of Idaho, she designed costumes for productions of True West, The Gift of the Magi, The Three Keys of Captain Hellfire, and This Random World. This collection was submitted as completion for her Apparel, Textiles, and Design degree.
This collection pulls the salty feel of the air, the calm before the storm, and the grit of a sandy shore together into a unified design. Inspiration was drawn from the sunny shores of Togo, Africa, the crowded beaches of Alabama, and the cold and cloudy beaches of Oregon. It is my hope that like a ship in a bottle, this collection provides a slice of the sea to Southern brides who want to make a subtle statement on their wedding day. In addition, this collection is particularly intended for brides with a budget.
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Deb Siemens
Debra Siemens is a "Senior-Senior" of apparel and textile design and is in in love with joyous color. Raised in Northern California and with the influence of a mother and grandmother who encouraged sewing, there were many hours spent developing her taste for fabric and style. As a photographer, a way of viewing nature was learned from a favorite teacher, taking a vast array of options and narrowing it down to what was most intriguing.
After finishing up many years of raising nine children, she knew it was the right time to reenter college. To finish that first degree became the goal and the University of Idaho was a perfect fit. Online classes made it easy to accomplish most requirements. Yet to finish up she would need to attend on campus. This past year has seen her on the road in a little Gucci white Fiat 500, traveling all the way to Moscow from Coeur d'Alene. The drive is beautiful and one that has caused her to pull over often to snap a few photos.
Her wish is to be an example to others in taking the chance to see their dreams become a reality, too. Take the initiative, ask questions, and jump in, you may be surprised at what you can accomplish!
Her experience with the restrictions that a large family brings in resource management is evident when you see how the materials are thoughtfully used in an economical way. Great care is given to each element and how it is placed within the scheme. You will notice an abundance of color used within this line. The play of various coloration's may seem at first simplistic but with a subtlety of execution hues have been developed by adding gray to achieve a cloudiness respectful of the times we live in. It is her aim to share some hope and a bit of that joy by viewing and wearing these garments.
Debra resolves to continue to pursue the method of developing the use of dead stock and found fabric in her design work. Studying various dyeing techniques that use less water will be part of this process. A stint or two at local mini factories to learn aspects of the industry first-hand will be part of this plan. One of a kind projects will be offered online and at local galleries and boutiques. Commissioned work is welcomed and available, too.
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Hand dyed aqua blue tablecloth and lace top with white flowy cotton big pants
aqua top, white cotton flowy pants
Floral voile kimono sleeved loose top with cream jacquard fitted skirt with self fringed hem.
Floral kimono top with jacquard fringed skirt
Deconstructed and dyed silk tie dress. Front.
"Fortuna", a 1920's inspired silk tie dress. Hand dyed.
Back view of Fortuna dress. Deep v, silver beaded chain drapes at back. Self zip with silk pull.
"Fortuna", a back view.
Deb Siemens
Debra Siemens is a "Senior-Senior" of apparel and textile design and is in in love with joyous color. Raised in Northern California and with the influence of a mother and grandmother who encouraged sewing, there were many hours spent developing her taste for fabric and style. As a photographer, a way of viewing nature was learned from a favorite teacher, taking a vast array of options and narrowing it down to what was most intriguing.
After finishing up many years of raising nine children, she knew it was the right time to reenter college. To finish that first degree became the goal and the University of Idaho was a perfect fit. Online classes made it easy to accomplish most requirements. Yet to finish up she would need to attend on campus. This past year has seen her on the road in a little Gucci white Fiat 500, traveling all the way to Moscow from Coeur d'Alene. The drive is beautiful and one that has caused her to pull over often to snap a few photos.
Her wish is to be an example to others in taking the chance to see their dreams become a reality, too. Take the initiative, ask questions, and jump in, you may be surprised at what you can accomplish!
Her experience with the restrictions that a large family brings in resource management is evident when you see how the materials are thoughtfully used in an economical way. Great care is given to each element and how it is placed within the scheme. You will notice an abundance of color used within this line. The play of various coloration's may seem at first simplistic but with a subtlety of execution hues have been developed by adding gray to achieve a cloudiness respectful of the times we live in. It is her aim to share some hope and a bit of that joy by viewing and wearing these garments.
Debra resolves to continue to pursue the method of developing the use of dead stock and found fabric in her design work. Studying various dyeing techniques that use less water will be part of this process. A stint or two at local mini factories to learn aspects of the industry first-hand will be part of this plan. One of a kind projects will be offered online and at local galleries and boutiques. Commissioned work is welcomed and available, too.
- Thumbnails
Kathleen Cox
I entered the Apparel, Textiles, and Design (ATD) program non-traditionally after finishing a bachelor's degree in interior design with an emphasis in sustainability and a minor in architecture. My interest in fashion was piqued when I enrolled in a beginning costume design and construction course. After completing a semester as an ATD student, I left for Florence, Italy, and studied at Accademia Italiana. While there, I expanded my skillset and discovered my design aesthetic through the production of a mini collection in the spring 2019 fashion show. My design focus is on streetwear and textile design with a specific interest in fabric print development and upcycling.
After college, I plan to create my own atelier of fabric prints and surface designs with a print shop through a print house and online shop through Instagram and Etsy. I also plan on working with an interior design firm that specializes in restoring and renovating forgotten buildings into something new.
Our clothing in the United States is clearly influenced by both Western and European dress. For this collection, I was influenced by Asian concepts and Korean garment forms and traditional dress, that were mixed with west coast streetwear silhouettes. Conceptually, the surface designs and structure are inspired by the body comparative, a scientific comparison of the human body with parts of nature, mainly focused on the similarities between irises in the eye and nebulas in space. As an inspiring textile designer, prints and surface designs were as important as the garment designs themselves. This collection features laser etching, a hand-drawn print, embroidery, upcycled denim, a custom woven organza, two custom digital prints, screen-printing, couched braids, and quilting.
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Jeogori Cropped Hoodie & Iris Paperbag Pant
This hoodie is designed after the Jeogori ceremonial jacket worn at events by women in Korea, it features a laser etched eye design and says "Star of Tears" in Korean. In the language, there is no word for planet so instead they say "star of...", for example, Mars translates to Star of Fire. The pants feature a d-ring tied belt and a hand-printed abstract eye print.
Perilla Quilted Jacket & Baji Boyfriend Pant
This look consists of a custom quilted jacket in the shape of a Perilla leaf structure, a plant from the mint family that grows in Asia. Baji pants are an oversized, baggy pant that are worn by Korean men at traditional celebrations, this garment was translated to a woman's fit and features inset pockets, large cuffs, and an over-emphasized belt.
Nebula Wrap Top & Baji Boyfriend Pant
The print was custom-made and digitally printed on satin fabric, it is a double exposure of an iris in the center of a nebula. Kimono wraps through princess seams are seen in Korean culture and were translated to this tank top.
Jjada Jacket & Cosmos Shirtdress
Jjada is a type of weave that is popular in Asia, the back of the jacket has a hand-woven chiffon textile that emulates this type of textile, while the rest is upcycled from vintage Levi's and features a tiger embroidery on the collar in reference to the Chinese Zodiac. This dress features a custom faux-shibori print in reflection of the dyeing technique created in Asia, with 3-tier gathering on the sleeves and body, a traditional mandarin collar with frog closures, and an asymmetric hem.
Zodiac Shirt & Vega Joggers
The Zodiac shirt features a Year of the Ox screenprint with laser etched details about the Zodiac sign and couched braids on both sleeves. Mesh insets with beaded "planets" were added to the legs of the joggers and it has a double tied waistband spliced with elastic for easy wear.
Kathleen Cox
I entered the Apparel, Textiles, and Design (ATD) program non-traditionally after finishing a bachelor's degree in interior design with an emphasis in sustainability and a minor in architecture. My interest in fashion was piqued when I enrolled in a beginning costume design and construction course. After completing a semester as an ATD student, I left for Florence, Italy, and studied at Accademia Italiana. While there, I expanded my skillset and discovered my design aesthetic through the production of a mini collection in the spring 2019 fashion show. My design focus is on streetwear and textile design with a specific interest in fabric print development and upcycling.
After college, I plan to create my own atelier of fabric prints and surface designs with a print shop through a print house and online shop through Instagram and Etsy. I also plan on working with an interior design firm that specializes in restoring and renovating forgotten buildings into something new.
Our clothing in the United States is clearly influenced by both Western and European dress. For this collection, I was influenced by Asian concepts and Korean garment forms and traditional dress, that were mixed with west coast streetwear silhouettes. Conceptually, the surface designs and structure are inspired by the body comparative, a scientific comparison of the human body with parts of nature, mainly focused on the similarities between irises in the eye and nebulas in space. As an inspiring textile designer, prints and surface designs were as important as the garment designs themselves. This collection features laser etching, a hand-drawn print, embroidery, upcycled denim, a custom woven organza, two custom digital prints, screen-printing, couched braids, and quilting.
- Thumbnails
Sabina Poudel
I am Sabina Poudel, a graduating senior majoring in Apparel, Textiles, and Design with emphasis on Design and product development. Being an International student, originally from Nepal, one can witness mixture of traditional colors, textures, and silhouettes in my designs. My designs are mostly inspired by my motherland and the influences of me living in the USA and Italy. As I started doing art at early age followed by many art competitions and getting inspired by fashion and fashion designers like Prabal Gurung, I knew I wanted to pursue my career in Fashion designing. Being a daughter of a Trekker (my father) and a sewing instructor (my mother), I have always been fascinated by travelling, exploring diverse cultures, and fashion. Due to the constant support of my family, I am able to pursue my career in fashion designing. I want to influence people by sharing my Nepali background through art and fashion and offer something unique to the fashion industry.
"East weds West". The collection "Orotund" which means strong expressive voice, is a reflection of my traditional-modern life as a Southeast Asian woman living abroad. As I grew up in the culture of worshiping natural elements in Hindu religion, I got inspired by patterns found in nature. They mimicked dresses worn by traditional-modern Nepali woman. The shades of red reflects a woman's break-through and empowerment. All the pointed edges, shapes, silhouettes, colors, and texture blends wonderfully to reflect celebration of a womanhood.
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Sabina Poudel
I am Sabina Poudel, a graduating senior majoring in Apparel, Textiles, and Design with emphasis on Design and product development. Being an International student, originally from Nepal, one can witness mixture of traditional colors, textures, and silhouettes in my designs. My designs are mostly inspired by my motherland and the influences of me living in the USA and Italy. As I started doing art at early age followed by many art competitions and getting inspired by fashion and fashion designers like Prabal Gurung, I knew I wanted to pursue my career in Fashion designing. Being a daughter of a Trekker (my father) and a sewing instructor (my mother), I have always been fascinated by travelling, exploring diverse cultures, and fashion. Due to the constant support of my family, I am able to pursue my career in fashion designing. I want to influence people by sharing my Nepali background through art and fashion and offer something unique to the fashion industry.
"East weds West". The collection "Orotund" which means strong expressive voice, is a reflection of my traditional-modern life as a Southeast Asian woman living abroad. As I grew up in the culture of worshiping natural elements in Hindu religion, I got inspired by patterns found in nature. They mimicked dresses worn by traditional-modern Nepali woman. The shades of red reflects a woman's break-through and empowerment. All the pointed edges, shapes, silhouettes, colors, and texture blends wonderfully to reflect celebration of a womanhood.
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Soledad Villalpando
I am graduating this Spring with a B.S. FCS in Apparel, Textiles and Design with my focus on Apparel Design. I am from the small town of Milton-Freewater, Oregon. I work at a local shoe store where we provide full service from repairs to measuring your feet and carry comfort and in style shoes. Working here has had influence on wanting to become an entrepreneur as well as seeing how small businesses run. I am drawn to unisex wear because this creates an opportunity for the consumer to create their own personal style through the way they assemble individual pieces into a whole look. Graphic design plays a big part in my aesthetic which brings in a range of elements from simple lines to dramatic graphics.
After graduation, I will continue working at a local shoe store in my hometown where I have been for 2 years, to gain more knowledge in the operation of a small business. I plan on building my apparel brand SoLuminaria through the development of new styles and graphics. Eventually, I plan on having my own online clothing store and a possible retail shop in Oregon.
Artist Statement
The influence of this collection comes from the traditional aspects of Mexican culture. Being a Mexican-American, I wanted to incorporate elements from my culture into modern fashion that can be worn by anyone however they want to style it. Bright colors are well known in Mexico from the fiestas to folk art as well as elaborate embroidery. I chose to pursue a unisex collection with an oversize fit incorporating graphic elements. Surface design techniques used in my line are discharge, hand embroidery, and a fabric print that I made through illustrator. The jumpsuit separates at the waist into a top and pant letting all four looks be mixed and matched throughout the collection.
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Golden Barrel Oversize Pullover with Ojo French Terry Shorts
Ze Long Tunic
Ze Long Tunic with Scrap Shorts
Rapido Poncho with Calle Joggers
Variety Jumpsuit
Soledad Villalpando
I am graduating this Spring with a B.S. FCS in Apparel, Textiles and Design with my focus on Apparel Design. I am from the small town of Milton-Freewater, Oregon. I work at a local shoe store where we provide full service from repairs to measuring your feet and carry comfort and in style shoes. Working here has had influence on wanting to become an entrepreneur as well as seeing how small businesses run. I am drawn to unisex wear because this creates an opportunity for the consumer to create their own personal style through the way they assemble individual pieces into a whole look. Graphic design plays a big part in my aesthetic which brings in a range of elements from simple lines to dramatic graphics.
After graduation, I will continue working at a local shoe store in my hometown where I have been for 2 years, to gain more knowledge in the operation of a small business. I plan on building my apparel brand SoLuminaria through the development of new styles and graphics. Eventually, I plan on having my own online clothing store and a possible retail shop in Oregon.
Artist Statement
The influence of this collection comes from the traditional aspects of Mexican culture. Being a Mexican-American, I wanted to incorporate elements from my culture into modern fashion that can be worn by anyone however they want to style it. Bright colors are well known in Mexico from the fiestas to folk art as well as elaborate embroidery. I chose to pursue a unisex collection with an oversize fit incorporating graphic elements. Surface design techniques used in my line are discharge, hand embroidery, and a fabric print that I made through illustrator. The jumpsuit separates at the waist into a top and pant letting all four looks be mixed and matched throughout the collection.
- Thumbnails