The gag being a one-liner, I thought this video would be dumb from the description, but it's pretty funny. Carnegie Mellon grad Robb Godshaw is an artist-in-residence at Autodesk's Pier 9 workshop, a fabrication facility in San Francisco, and as such he's got access to some bad-ass machines like an industrial waterjet cutter. So what did he decide to do with it?
Create Alphaclamps, "an exploration of tools and their form. From the I-beam to the C-clamp, the latin letterforms seem to have a chicken-egg relationship with the letter-shaped tools that bear their name. Is the C the basis for design, or simply a descriptor of the form? Curious about how the other letters would work as tools, I set out to explore the mechanical utility of the forsaken letters of our alphabet."
Unbelievably, there are folks who did not realize this was a gag, judging by the comments on the Alphaclamp Instructable Godshaw posted. Oh, internet.
Posted by Ray
| 29 Aug 2014
Left: Courtesy of Gary Cruce; Right: Drawing for patent D249,987
So it looks like the honor of Design Crossover Hit of the Week goes to Noonee's Chairless Chair, and while the mainstream media took to hailing it as a futuristic exoskeletal paramedical breakthrough, it so happens that the basic idea dates back to the late 70's. Upon seeing my post about it earlier this week, eagle-eyed reader Gary Cruce sent a note with a photo from an old exhibition catalog, indicating that the product may well have been invented several decades ago. "I doubt Noonee was aware of this earlier concept, but they may want to know of it as they work to take the product to market," Cruce writes. "The exhibit was at the Kohler Arts Center (yes the toilet company) in 1978, based in Sheboygan, Wisconsin. That show featured many studio furniture pieces including selections from Sam Maloof and Wendell Castle." Along with the image and anecdote, Cruce provided an all-important snapshot of the caption from the catalog; crediting the "Wearable Chair (1977)" to Darcy Robert Bonner Jr., it reads:
The "Wearable Chair" consists of two identical "chairs," one strapped to each of the wearer's legs. Bonner states that "It is important for the 'Wearable Chair' to be adjusted to each user. Just like a piece of clothing, if the chair doesn't fit, it will not feel good. When adjusted correctly, you can comfortably relax with all your weight on the chair.
"With the lower member of the chair strapped to the calf, a spring presses the upper member against the back of the thigh. As the user squats, the released compression bar pushes the leg of the chair to a locked position, thereby supporting the body. When the user rises, the lower member is unlocked and is retracted by a spring to its original position, where it will not interfere with the user's movements."
Curious to learn more, a de rigueur Google query revealed that Darcy Robert Bonner had actually filed a patent for his invention, which inspired this "more-than-you-cared-to-know" history of the wearable chair—a bit of rechairche du patents perdu, if you will—gleaned mostly via the USPTO (though tangential sleuthing reveals that one Darcy R. Bonner now heads up an eponymous architectural practice in Chicago).
Left: Uncredited composite image of Darcy Bonner's "Wearable Chair"; Right: Detail of drawing for patent D249,987
The original patent is simply entitled "Wearable Chair," which also happens to describe Noonee's product. Filed in 1977 and granted as D249,987 in October 1978, Bonner's initial design patent is described in Twitter-friendly terms as "the ornamental design for a wearable chair, as shown and described." Although this first iteration briefly resurfaced in the post-Google era in 2008, when the images above made blog rounds, it turns out that Bonner subsequently filed a second patent, US4138156 A, granted in Feburary 1979, which is far more detailed in tenor and scope. Where the former is classified as a "footed," "collapsible or folding" article of furniture, the latter is subject to an entirely different taxonomy of patent-worthiness. US4138156 A is a "device for supporting the weight of a person in a seated position including chairs, seats, and ancillary devices not elsewhere classifiable," specifically a "portable bottom with occupant attacher" (Subclass 4) with "occupant-arising assist" (Digest 10). (In the interest of due diligence, there are 148 patents in the former subclass and 353 in the latter; Noonee's Chairless Chair does not appear to be among them. Fun fact: "Digests" [denoted by DIG followed by a number] are considered secondary subclasses, which are used for indexing purposes only, i.e. as meta tags.)
Posted by Coroflot
| 29 Aug 2014
West Elm is a dynamic, fast-paced brand with an exciting growth strategy. They value imagination, diversity and giving people the opportunity to explore, grow and shape their future. Right now, they are looking for innovative, smart, hard working individuals who enjoy creative thinking and ingenuity; specifically, a Furniture Engineer to join their corporate office located in the D.U.M.B.O district of Brooklyn, NY, right above their flagship store.
If you're the right person for this job, you'll be accountable for generating technical design specifications, procedures, practices, etc. for all new furniture products within the overall business targets of cost, schedule, performance and aesthetics. You'll need a minimum 5-7 years of product development experience and a minimum 4 years in furniture technical development and/or engineering with an emphasis on wood furniture products. Apply Now.
Posted by Jeri Dansky
| 28 Aug 2014
We've talked about using the walls to keep papers close at hand, and to store knives—but walls can be used to store all sorts of odds and ends.
One way to use the walls is with a pegboard; Julia Child's kitchen pegboard, where she hung her copper pots, is a famous example. The pegboard above, from Human | Crafted, takes this old standard and makes it decorative as well as functional. The board is CNC machined from a solid block of walnut; the loops and hooks are 3D-printed nylon. It also comes with five feet of bungee cord, providing one more way to hold items in place.
Droog's Strap, designed by NL Architects, is another example of taking a familiar product—in this case, the straps used to hold luggage on the back of a bike—and doing something new with it. The straps are made from silicone rubber and can hold phones, keys, remotes, books, hand tools, etc. These would work great for end users who work best when everything is clearly visible. But for others, it will add visual clutter.
The naoLoop Loft, with its polyester latex bands, follows the same general approach as the Strap, but with the bands attached to a laser-cut stainless steel (or powder-coated steel) board. Besides transforming the look, the board protects the walls from anything that might get them dirty or cause other damage.
Photo: Michael Wilson
The Hanging Line from Kontextür, designed by Josh Owen, is a single silicone band. Items are stored by tossing them over the line, or hanging them from a hook. Although this was designed for bathroom use, end-users could certainly use it other places, too. It's somewhat limited in what it can hold, much more so than the Strap or the Loft—but it certainly provides more storage options than the standard towel rack.
My favorite carry-all for tools and materials is Festool's Open Top SYS-Toolbox. It's just a classic example of nuts-and-bolts ID: Simple, strong, reliable, and a perfect use of materials. The thick-walled ABS has a channel molded into the bottom, which forms the divider inside the box, and this channel allows the handle of a second box to perfectly nest within the first. Two latches at the side enable you to connect them quickly and securely. And they're compatible with Festool's full line of Systainers (manufactured by Tanos, as we looked at here), making them easy to roll around the shop or carry on-the-go in one piece.
Posted by Ray
| 28 Aug 2014
"I hear you're buying a synthesizer and an arpeggiator and are throwing your computer out the window because you want to make something real."
–LCD Soundsystem, 'Losing My Edge'
Well this is weird and fun: The data wizards at IBM have partnered with the U.S. Open and James Murphy of LCD Soundsystem / DFA Records fame to create real-time musical interpretations of tennis matches throughout the tournament. The premise of the U.S. Open Sessions is simple: IBM processes millions of data points via cloud-based algorithms to generate synth tones that represent the gameplay, complemented by Platonic shapes in the browser window. Developer Patrick Gunderson of digital production companyTool does the heavy lifting while Murphy transposes the progress of the match from groundstrokes to keystrokes; from playing the baseline to, um, playing the bassline.
Outdoor goods company Snow Peak was started in Japan's Sanjo City, a place "known locally as a hardware town." So it's no surprise that their Stacking Shelf Container 50 has got that "tooled" look. What is surprising is how it can be locked in two different configurations and stacked in either one.
At first this had me scratching my head, but I realized that when you need access to stuff on different levels, the "butterfly" configuration makes sense. And it's kind of neat that the rubber feet at the corners remain the lowest point of contact no matter which configuration it's in.
Posted by erika rae
| 28 Aug 2014
I don't know what you thought of your local weather reporter when you were growing up, but for me, he played a bigger role walking in the city parade than as an accurate forecaster. I know it's not necessarily their fault—each meteorologist is at the mercy of a green screen and pre-determined satellite information. I guess we should all be happy that the digital push has literally put weather reporting in the hands of the people. Still, there are some days my pseudo-trusty weather app promises sunshine and cloudless skies and I'll get home drenched by an unexpected downpour, throwing me back to this 2-second Family Guy clip that I find myself going back to time and again:
We've got your back, German-speaking readers
It sends me into giggles every time. But thanks to BloomSky—a crowdsourced weather information system that's looking to restore our trust in forecasting—I may not have to resort to silly YouTube clips to relieve my unexpected weather rage. The package comes with a outdoor module and an app, with the option to buy add-ons like a solar panel, extended battery life, an indoor module and mounting supplies. The personal weather station has all kinds of cool capabilities built in: a rain sensor that can tell when rain starts and stops, down to the minute; weather pattern push notifications; a wide-angle HD camera that turns on a dawn and off at dusk for capturing weather scenes; an automatically created timelapse video come each sunset; and the ability to subscribe to other BloomSky stations for weather updates around the world.
The crowdsourcing weather station recently saw crowdfunded success (see what I did there?) on Kickstarter, surpassing its $75,000 initial goal and reaching its stretch goal of $100,000. Here's a video highlighting all of its bells and whistles:
When it comes to recycling, pee and poo oughtn't mix. We think of them as the same thing—human waste—but in fact they are not mixed within the body and shouldn't be mixed afterwards, though we often do so out of convenience and the design of modern toilets.
The reason they shouldn't mix is because urine is rich in nitrogen and phosphorous while feces are carbonaceous. Separated, these can be valuable resources, but combined they become a useless sludge that needs to undergo laborious and energy-intensive processing before anything can be reclaimed. And we are literally flushing resources down the toilet. As an article in the farmer's information website A Growing Culture points out, it would be better if we could easily extract nitrogen and phosphorous from separated urine rather than taking it out of the Earth:
Modern agriculture gets the nitrogen it needs from ammonia-producing plants that utilize fossil fuels such as natural gas, LPG or petroleum naphtha as a source of hydrogen. This energy-intensive process dumps carbon dioxide into the atmosphere, it consumes a finite hydrocarbon resource, and it is not sustainable.
Modern agriculture gets the phosphorous it needs from phosphorous-bearing rocks. But these reserves are rapidly dwindling and increasingly contaminated with pollutants such as cadmium. In as little as 25 years apatite reserves may no longer be economically exploitable and massive world-wide starvation is predicted to follow.
If we are serious about achieving sustainability in this regard, our first, and perhaps most important duty, lies in not mixing urine with feces.
Enter the NoMix toilet, developed in Sweden in the 1990s.
The NoMix's bowl is designed in such a way that the urine is collected in the front, the feces in the back, and both are whisked away through separate plumbing, with the latter being disposed of in the conventional manner and the former recycled. While that raises new infrastructural challenges, the concept was interesting enough for EAWAG, a Swiss aquatic research institute, to intensively explore the NoMix's feasibility in research trials. Running from 2000 to 2006, that project was called Novaquatis, and during their seven years of testing, Eawag shrewdly realized that "An innovation for private bathrooms can only be widely implemented if it is accepted by the public":
For this reason, all Swiss NoMix pilot projects were accompanied by sociological studies. 1750 people were surveyed - and their attitudes towards urine source separation are highly favourable. Despite a number of deficiencies, the NoMix toilet is well accepted, especially in public buildings.
Things looked even better by 2010, when CNET reported that "Of the 2,700 people surveyed in Switzerland, Germany, Austria, Luxembourg, the Netherlands, Sweden, and Denmark, 80 percent say they support the idea behind the technology, and between 75 and 85 percent report that the design, hygiene, smell, and seat comfort of the NoMix toilets equal that of conventional ones."
Posted by Coroflot
| 28 Aug 2014
LG Electronics is looking for talented Senior Industrial Designers to join their award winning North American Design Studio team located in Edgewater, NJ. You'll be part of a multi-disciplinary group of designers developing products for Mobile, Home Appliance, Display, and Energy Solutions-- products like mobile phones, kitchen appliances, laundry, television, home entertainment, and OEM.
If you land this job, you'll be leading the aesthetic and ergonomic development of consumer products collaborating with Engineering, Marketing, and Management teams to explore, innovate, and execute world-class designs, as well as inspiring with preliminary prototypes and innovative functional concepts. At LG, you'll be encouraged to take a creative and individual approach to challenges with strong emphasis placed on performance and skill--and equal, merit-based opportunities across the board. Don't wait - Apply Now.