While Chuck Close's tool of choice was the pencil, artist Seung Mo Park makes his marks with a very different medium: Stainless steel mesh.

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Billed as being "perfect for boats, parties and restaurants," Edmund Scientifics' The Incredible Spill Not is simply a 13-buck gizmo that combines a flexible strap with a rigid arm and base. While at first it may seem somewhat silly...

...you can't deny that this thing would be useful on a boat:

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There's a little over one week left to get involved in the 2014 Core77 Design Awards—which means there's still plenty of time for you to enter your design for the chance to win one of our coveted trophies. Previously, we introduced our team of jury captains in two parts (check them out here and here), but what's a leader without a team? Get to know the professionals who will seeing and judging your work in the Equipment, Packaging, Educational Initiatives, Speculative and Food Design categories.

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On July 22nd, 2011, Norway suffered two horrific back-to-back attacks on civilians. A lone extremist killed eight people with a car bomb and injured 209 in Oslo; within hours he'd then opened fire at a summer camp at Utøya island, killing 69 and wounding 110. The attacks were particularly personal in relatively tiny Norway, where a reported one out of every four Norwegians knew at least one of the victims.

KORO/Public Art Norway, the government's arm for public art and the largest art producer in the country, subsequently held a design competition to erect a memorial to honor the victims. The recently-announced winner, by unanimous jury vote, was artist Jonas Dahlberg and his beautiful two-part concept seen here. The first part of the memorial, called "Memory Wound," is to be sited on a tiny peninsula of land at the village of Sørbråten, near Utøya island. Explains Dahlberg:

My concept for the Memorial Sørbråten proposes a wound or a cut within nature itself. It reproduces the physical experience of taking away, reflecting the abrupt and permanent loss of those who died. The cut will be a three-and-a-half-meters-wide excavation. It slices from the top of the headland at the Sørbråten site, to below the water line and extends to each side. This void in the landscape makes it impossible to reach the end of the headland.

Visitors begin their experience guided along a wooden pathway through the forest. This creates a five to ten minute contemplative journey leading to the cut. Then the pathway will flow briefly into a tunnel. This tunnel leads visitors inside of the landscape and to the dramatic edge of the cut itself.

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This is the third article in an ongoing series about working with kids by Copenhagen-based architect/designer/educator Moa Dickmark. Her last article was on the Future of Learning Environments.

There are a few things that one should think about when it comes to working on a project using co-creative processes. There are the basics, such as how you develop and structure them, and then there's the small things that make the process go more smoothly. Sometimes these small things end up making a big difference, so I'm going to let you in on some of the ones that my colleague and I use more or less every time we are out working. Most (but not all) of them are applicable also when working with teachers, leaders, politicians etc.

The Necessities

Start the process with a few meetings with the headmaster and school leadership, where you can decide on a common goal and make sure that you are on the same page. A goal for a process can be something along the lines of:

Develop spaces that students and teachers feel comfortable in and that can be used in various ways depending on subject and the individual students needs.

Decide on a timeline, a budget, how many hours you will spend with the students per workshop and ask them to find a class with teachers that are open-minded and up for the project. No point in hitting your head against the wall with teachers who don't want you to be there; the students will probably take on the sentiment of teacher and the process to reach the set goals will not be enjoyable for anyone.

Involvement

1.) Make sure that everyone involved in the project feels like they are truly a part of the project, and that they have an important role in the process and outcome.

When working with students, invite their parents for a meeting where you tell them about the project, tell them a bit about the basics of co-creative processes and what sort of things their kids are going to come home and ramble about. It's really good to let them try what you are talking about, so let them do one of the exercise—i.e. a quick and dirty model-making session always bring out a lot of laughter—in order to provide a greater understanding of how fun it can be, and so they have something to talk about when their kid comes home from school.

This is also a good way to get them more involved—maybe one of the parents works at a warehouse and can arrange some sponsorship deal with the boss or something of the sort, or that some of them want to spend some of their free time helping out at one of the workshops. The more support you get from the parents, the better.

2.) Also make sure that people who are not directly involved of the project feel welcome.

For example, shortly after starting working with a 6 grade class in a small school in the middle of Jylland, Denmark, the biggest ambassadors for the project and for what the students were working on turned out to be the librarian and one of the cleaning ladies. They showed parents what their children were up to, and talked about the vision developed for the various areas.

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Berard Associates is an award-winning boutique design firm specializing in building brands for the luxury, beauty, consumer products and retail industries. Berard works with companies ranging from Fortune 500 to start-ups to evolve and expand their business and consumer experience. This is a fast-paced yet professional environment centered on teamwork, client services and high-end design.

If you are detail-oriented, enjoy leading a team and have a passion for illustration and design, then this might be the perfect job for you. It takes five-plus years broad ranging creative development experience, and if you have packaging experience, that's a major plus. Apply Now if you have that and more to bring to the table.

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Unveiled at their Paris Fashion Week runway show, Chanel's build out turned a lot of heads. Their hottest Fall/Winter looks? Food labels. The show was held at the beautiful and unsupermarketlike Grand Palais and featured 500 products with creative CC branding. The requisite model action took place throughout the mock supermarket, as sneakered supermodels perused and posed among the sadly not-for-market options.

These clever (fashion) house brand labels were convincing and appropriate. The idea of sleeping, breathing and eating fashion certainly isn't foreign to the dedicated. Can you imagine Trader Joe's adding an impeccable fashion design wing to the enterprise? I think it's a perfect idea. You trust them with your cheese, dried fruit and dish soap, why not your handbags? Here are a few of our favorites:

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Sure, it sounds like a self-effacing metaphor gone off the tracks. No, there's no punchline, and yes, it's pretty cool. Ward Shelley and Alex Schweder are currently living and working 24 hours a day in their "architect performed building" shaped like a 25-foot hamster wheel. The two artists, who have been collaborating on large-scale installations since 2007, will inhabit "Orbit" until March 9 and o view through April 5 at The Boiler in Brooklyn.

With all necessary furniture fixed around (and often through) the huge wheel, one person maintains life on the inside while the other occupies the upper/outer part of the ring. They use tandem movement around the wheel in order to change task, whether sleeping, working or staying physically active.

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Do you have what it takes to make your own wine? Most likely not. But with this fancy gadget and a lower-than-average amount of skepticism, you might. Drink like Jesus did with the Miracle Machine: just add water, grape concentrate, yeast and a vaguely described "finishing powder" to impart that truly barrel-aged flavor without true barrel-aging.

The modestly named Miracle Machine is a household appliance with the capability of fermenting and age-flavoring fine wine within three days, for as little as $2 per bottle in materials. It's got a fairly elegant exterior, plastic but something you wouldn't resent for taking up counter space. The accompanying app lets you choose the type of wine you want to make and provides status information so that those of us too impatient for bread-baking can hold out long enough to reap the alcoholic bounty. Check out the project video:

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From concrete planters cast from fruit to whittled toothbrush shanks, Pratt Institute graduates Chen Chen and Kai Williams (CCKW) have been exploring industrial processes and materials to create furniture, products and art since 2011. "Our design philosophy is very bottom-up," Chen says. "We experiment with materials and allow them to inform us of what products to make from them."

One of the first results of this design philosophy was a set of Cold Cut Coasters, inspired by the way in which deli meats are sliced at the point of purchase. Chen and Williams wanted to replicate that effect with a product where they could pre-make a "loaf" and slice it depending on how much a customer wanted.

"Eventually, we came to the realization that this was not going to be possible," Chen says. "But in trying for that goal, we came up with a way to make composite materials with intricate patterns by soaking fabric in resin and then wrapping it around solid materials like wood. This process brought an element of chance into each composition we made, as we had no idea what the slices were going to look like until they were cut." That material exploration also laid the groundwork for what would become a series of four rugs made in collaboration with Tai Ping Carpets and released during Art Basel Miami Beach last December.

Detail views of Coast Occult Dress (top)

The Oldest Stucco Star is another one of the four rugs Chen Chen and Kai Williams designed for Tai Ping Carpets

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