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Posted by Jeri Dansky  |  11 Dec 2014  |  Comments (0)


Having the right hangers is critical for ensuring well-maintained clothes. In most cases, normal good-quality wood or plastic hangers will work fine—but sometimes a different type of hanger can be useful.

The Cliq hangers from Flow Design have no hooks; they attach to any metallic tube or surface with magnets. For users who are tight on vertical space (and willing to add a metallic surface if one isn't already in place), these could help; they save about 6 cm of space. They might also be easier than normal hangers for some users to handle, since there's no manipulating of a hook over a bar.


The blow-molded polypropylene Hercules coat hanger from Magis, designed by Marc Newson, has a shorter hook than many hangers, which can also be a bit of a space saver. However, the opening on some of these short-neck hangers is smaller than on more traditional hangers, which can make it a tight fit on some rods.


Posted by Jeri Dansky  |   4 Dec 2014  |  Comments (1)


We've talked about using ceiling storage in a garage—but storage products that hang from the ceiling can also be useful in bedrooms, entryways (in both homes and offices), kitchens and other rooms.

Some of the most interesting products are designed largely for hanging clothes. They're great if closet space is lacking; they also work well in that they're easier to use than hangers. This is the Wardrope from Authentics, designed by Veronica Wildgruber and Susanne Stofer. It's a polyamide rope with four porcelain hooks; it hangs from a ceiling hook and has a metal weight at the bottom. Those four hooks can be positioned wherever the user wants them—low so that children can reach them, high so that children can't reach them, etc.


The rope is 300 cm (9.8 feet) long; it's not clear if the rope length is adjustable, allowing the Wardrope to work well in homes with 8-foot ceilings. Given the variation in ceiling heights, adjustability is a key design factor.


La Cima3 from Opinion Ciatti is made from nautical rope. It has dual-sided hooks, which seems like a nice idea for providing more storage while still keeping things from overlapping too much. However, given that it's 350 cm (11.4 feet) and uses a special ceiling attachment that doesn't provide any height adjustments, it's only suited to rooms with higher ceilings.


Posted by Jeri Dansky  |  27 Nov 2014  |  Comments (0)


We've written about controlling cable clutter on the desktop—but what about controlling the earbud cords that end-users carry around?

One of the simplest ways to keep the cords from becoming a tangled mess is a simple wrap for the cord, like the Cord Taco from This Is Ground. The end users can create neat bundles by wrapping the cords around their fingers and then using the Cord Taco to keep everything in place.

When Mike Macadaan created the Cord Taco, he feared it might be too simple: a simple leather disk with a metallic snap closure. But many end-users don't have the skill, tools or time to create a product like this for themselves.


The *cordctrl, made from high-grade liquid injection silicone, is another simple answer to the earbud cord control challenge. End-users just wrap the cord around the *cordctrl, locking the cord in place by running it through the notches at either end. This is the same approach used by the Sumajin SmartWrap, which we wrote about previously.

Both of the items listed above are fine for end users who just want an organized way to carry the cords in their pockets, computer bags, etc. But adding a clip to the products, as Dotz did with its Earbud Wrap, gives the end user the option of attaching it to a bag strap, a shirt, etc. Since not all end-users have clothes with pockets, this could be handy. But the clip does add a bit more bulk to the product—there are always trade-offs!


Posted by Jeri Dansky  |  20 Nov 2014  |  Comments (0)


As a professional organizer, I often recommend that gift-givers consider consumables—things that will get used up, and won't become clutter. There are many ways to design a normally mundane item so that it becomes an interesting gift (whether a stocking stuffer or more), and to design a commonly gifted item so it stands out in the crowd.

Idea #1: Take a common product and make it a work of art, such as this toothbrush from Bogobrush.


Idea #2: Get creative with the holiday offerings. Many companies offer special products for Halloween, Thanksgiving and Christmas. But not many have an offering for Burns Day, as L. A. Burdick does with its limited edition Scotch whisky chocolates.


Idea #3: Combine items in interesting ways. For example, Hen & Hammock sells seed combinations: four kinds of chills, four purple vegetables, four Christmas dinner vegetables, etc.


Posted by Ray  |  14 Nov 2014  |  Comments (7)

fuseproject-Fluidigm_Juno-QuirkyGE-Tripper.jpgL: The Fluidigm Juno, designed by fuseproject; R: Quirky+GE's "Tripper" sensor

As an editor at Core77, I often find myself attempting to explain what industrial design is, and I'm sure those of you who are actually practicing designers often find yourselves in find yourselves in the same position. It's regrettable that ID is a widely unsung (if not outright overlooked) force in the world, to the effect that it falls on a precious few star designers such as Karim Rashid and Jony Ive to speak for the profession. The latter made a rare public appearance at the Design Museum this week in a conversation with museum director Deyan Sudjic, making a strong case for design-led business model (perhaps RE: suggestions to the contrary), hands-on education, and maintained that failure is part of the design process.

If Apple represents the paragon of industrial design in the post-industrial age—hardware that is as much a vessel/vehicle for digital UX (i.e. a screen) as it is a beautiful artifact—so too are we always curious to see new developments in other the frontiers of design. A colleague mentioned offhand that insofar as space exploration is constrained by the logistics of astrophysics itself, there isn't exactly a 'design angle' to the Philae lander that, um, rocketed into headlines this week. (That said, we have reported on design at NASA, where problem-solving is paramount... whether you call it design thinking or not.)


Which brings us to fuseproject's recent work for fellow SFers Fluidigm, a B2B life sciences company that called on Yves Béhar—a star designer in his own right—for a complete design overhaul in a traditionally un-(or at least under-)designed category. From the now-dynamic logo to the genre-busting form factor, the entrepreneurial design firm has risen to the challenge of expressing the genuine technological innovation behind the Juno "single-cell genomic testing machine" with equally revolutionary design.

The shape is sculptural and practical; a delicate balance between a futuristic piece of machinery and something more familiar. The aluminum enclosure is machined at high speed and the rough cuts visible and used as finished surfaces, which is a cost saving. The resultant ridges run along the exterior in a fluid, yet pronounced way, and resemble the miniature functional traces on the cell sample cartridge that enable single cell manipulations.


Posted by Sam Dunne  |  14 Nov 2014  |  Comments (9)


If you haven't yet heard of it, Hampton Creek is an awesome West Coast startup with a mission to redefine mass manufactured food, one product at a time. Having asked themselves what we could do differently if we reimagined food products from scratch, founders Joshua Tetrick and Josh Balk have already found a serious following—and indeed serious funding—in their attempt to make healthy food alternatives as affordable and tasty—as well as more sustainable—as their traditional counterparts. Just three years in, the brand's first product, 'Just Mayo'—an eggless sandwich-spread alternative, celebrated by loyal customers and celebrity chefs as being better than the real thing—has been flying off shelves from Whole Foods to Walmart.

Well, a dark shadow is looming over Hampton Creek this week as Big Food behemoth Unilever filed a lawsuit against the Just Mayo producers, claiming the plant-based product is deceptive to consumers because it doesn't contain any eggs, bemoaning that the product is already taking a nibble out of their billions of profits by outcompeting their Hellmann's brand. Clearly these food innovators have spooked the food industry.


Posted by Jeri Dansky  |  13 Nov 2014  |  Comments (2)


As a professional organizer, I often work with clients to label their file folders and their storage bins so everything can be readily found. While I'm often using a basic label maker, there are plenty of other products to help with the labeling—many of them specifically designed to address specific labeling needs.

This limited edition Craftsman Dry Erase Tool Chest is no longer available, but it sure was a cool idea—coating the tool chest with dry erase paint, making it easy to indicate what's kept in each drawer, and change that as things get re-arranged.


Another way to label the tool chest would be the Z-CALZ labels, available as magnets or adhesive decals. With preprinted sets like this, there's always the concern that the labels provided won't match the items the end-user has. However, with a basic set of 70 labels, an advance set with 46 more labels, and a 22-piece socket set, the company has made a good attempt to provide for the most commonly owned items.


As someone whose eyesight is far from perfect, I think these socket labels are a wonderful idea.


Posted by Jeri Dansky  |   6 Nov 2014  |  Comments (0)


Many of my organizing clients struggle with small kitchens. Collapsible items can help make the most of a small space—but so can items that stack or nest.

Food storage containers (with their lids) are one ongoing storage challenge for many end-users. Joseph Joseph provides one good solution: six nesting containers of differing sizes, with lids that snap together to provide a single lid for the nested collection. The bases are color-coded with a dot on the bottom, indicating which colored lid fits each base. I'm glad to see these are rectangular rather than round, since the rectangular shape makes better use of limited space.


Another way to address the same challenge is to have nesting containers of different depths that all use the same size lid—and then provide a mechanism for stacking the lids. That's what designer Stephen Greenberg did with Stackerware. As he explains: "These containers come with hooks on the lid and bowl. The hooks slip onto a holder base. The bases can be attached to a wall, a cabinet door, in a drawer, or wherever there's space." That ability to mount the Stackerware base in various places gives a space-challenged end user a lot of options.


Mugs and glassware also take a lot of space in a kitchen, so space-challenged end-uers appreciate stackable designs. These stacking stoneware mugs come with a chrome rack.


Posted by Jeri Dansky  |  23 Oct 2014  |  Comments (0)


Garages protect our cars, serve as our workspaces—and often store an amazing amount of stuff. Making the most of garage space, for yourself or for an end-user, might mean using the ceiling, but it might also mean using the walls.

One way to use the walls is to install shelves. Monkey Bars has a clever design that involves layered storage, so you can fit more into any given wall space. And the shelves are built to take the load; every four feet of shelving holds 1,000 pounds. And with nine different types of hooks, there should be one to hold almost anything.


Elfa systems, long beloved for organizing closets and other interior spaces, can also be used in the garage. The ease of installation is a key factor in end-user satisfaction, as is the array of components: shelves, baskets, hooks and more. Like the Monkey Bars, they'll appeal to those who want everything out and visible.


Slatwall designs also work in garages; the one above is called storeWALL. While many slatwall systems are made from MDF, these panels are manufactured as a solid core, foamed PVC extrusion [PDF]. Again, the accessories are a big part of what make these systems work; the storage totes and brackets especially caught my eye. The panels are also compatible with conventional slatwall accessories, which gives end-users even more flexibility.


Posted by Jeri Dansky  |  16 Oct 2014  |  Comments (3)


Maybe you're designing a garage for end users who wants to actually put their cars in their garages, along with all the other stuff they're storing there. Or maybe you'd like to create a shop, but you also need storage space for non-shop items. One way to solve that problem is to create some overhead ceiling storage.

One obvious way to do that is to install some racks. The racks from Monkey Bars, hold either 500 or 750 pounds, depending on the model. The height is adjustable, so there's a lot of flexibility regarding what gets stored, and where. There's a 2-inch lip around the edge to help ensure things stay in place, without making it too difficult to lift a bin into place.


And as you can see with these racks from NewAge Products, users can add hooks (if vertical space allows) to create even more storage.


Not everyone is going to want to climb up on a ladder to get things down from a ceiling rack. Some people will have issues with balance; others may have heavy items which can be tricky to handle on a ladder. In such situations, a lift system might be a better approach. This is a general-purpose lift from Racor. The pulley systems lowers the rack eight feet from the ceiling; it can hold 250 pounds.


Designers have also create lifts to deal with specific items often stored in garages. For example, here's a bicycle lift. This one can be installed on ceilings as high as 14 feet. While end-users generally agree it's a good design, many of them have complained about the quality of the rope. It's a good reminder to properly consider the cost-vs-quality tradeoff for a product's components.


Posted by Jeri Dansky  |   2 Oct 2014  |  Comments (0)


Digital calendars are everywhere now—but many end-users still prefer to use paper. Calendars like the one above are attractive, but not really functional; there's nowhere to note what's happening on any given day. Fortunately, designers have created a range of calendars and planners that do help end-users keep track of their time commitments.


While many wall calendars have illustrations, REDSTAR Ink provides a wall calendar with just the essentials: good-sized blocks for writing in each day's activities. The calendar measures 11 inches by 17 inches, and is printed on heavy recycled stock with a recycled chipboard cover.


Letter C Design prints this calendar on individual sheets of recycled kraft text paper, which allows multiple pages to be displayed at once. Each page could be mounted to the wall using a clipboard, added to a 3-ring binder using a sheet protector, pinned to a bulletin board, added to the refrigerator door (with magnets to hold it in place), etc.


Sometimes end-users with lots of wall space like to see the whole year at a glance, and designers have created calendars to address this preference. This one, from Crispin Finn, has one row for each month. It measures 99.7cm × 70cm (39.2 inches by 27.6 inches). "Popular observances" such as East Sunday and Bonfire Night have been noted—which will be useful to the U.K. audience, but maybe not to those from other countries. Deciding which holidays to include will always be a design issue for those creating calendars and planners.


Posted by Jeri Dansky  |  25 Sep 2014  |  Comments (2)


Design students often need to carry lots of art supplies: pencils, markers, pastels, paints, brushes, sketch pads and more. ArtBin has been serving students for years, and now has quite a collection of products—so there's likely to be something to meet most needs.

Some of the products are designed to hold specific items, such as this brush box, which will hold up to 20 brushes. It has foam inserts to keep the brushes in place, and vent holes at each end to help the brushes dry.


The utensil box is perfect for pencils, with the foam padding to protect the points, although it can also be used for things such as pens, brushes and cutting tools. However, some users have complained that the box, which is 12.38 inches long, is much longer than their pencils. One user says the only drawback is that "Even with new, unsharpened pencils (Palomino Blackwings—which are very long) there is just too much room and it is unnecessary."


For those who want to carry a range of sketching tools, there's the Sketch Pak. As with the utensil box, the Sketch Pak has foam in the pencil wells. Those dividers aren't movable, though, and some find the four smallest sections to be rather useless.

But another user raves: "I have instant access to a sharpener, a few types of eraser, blending stumps, Conte crayons, a few pastels, vine and compressed charcoal sticks, graphite sticks, an ArtGraf carbon tablet and graphite tin, dip pen and nibs, bamboo pen, water brushes, brush pens, a fountain pen, a small vial of walnut drawing ink and around 20 pencils of various types! I did break the Conte crayons and pastels into half-size sticks to be able to fit more colors."


Adjustable dividers are always a nice feature, making a storage box more likely to fit each user's specific (and changing) needs. The Solutions 6-compartment box has movable dividers that allow those compartments to be subdivided; there are five evenly-spaced positions for the dividers. One user notes that each slot can hold "four medium Posca paint markers, 10 Hi-Tech-C Maica pens, or up to 14 Gelli pens."


Posted by erika rae  |  25 Sep 2014  |  Comments (0)


If you were a fan of KK Studio's Uncomfortable Series—you know, the one where the took everyday products and made them impossible to use with irritating design bugs features—this will also be right up your alley. Weng Xinyu has devised "Good Medicine Tastes Bitter," a speculative series of four familiar household objects that quite literally have their own agenda.


This lamp's name says it all: "Angry Lamp - The Lamp That Turns Off If It's Not Needed." If it senses that another lamp is already on or if it's too bright in a room, it'll turn itself off by pulling down on its own chain with an arm-like extension. If you somehow manage to leave the room without remembering to turn it off yourself, it'll shut itself down.


The "Time Killer - The Clock That Tries to Kill Itself" is probably my favorite of the bunch. Morbid though it may sound, it comes off as almost cartoon-y in its function: When there's no one in the area, the clock's saw sinks into the wood and starts sawing. Once someone comes in to the room, it stops. Weng says that, "as the blade sinks deeper and deeper with time, the passage of time now becomes a vivid scenario which lead us to endless contemplation," but I'd liken it more to something that Wile E. Coyote would attempt.


Posted by Jeri Dansky  |  18 Sep 2014  |  Comments (2)


Design students face the same challenge as many other students and professionals: how to best carry the materials and tools needed on a day-to-day basis. Two students have created designs to meet that need.

Nitesh Baviskar decided to design a bag specifically for industrial designers.


While some of the bags Baviskar looked at during his research were backpacks, his design is a shoulder bag.



The bag is designed to hold the things designers need: a laptop, a sketchbook, drawing implements and a few tools.


Posted by Jeri Dansky  |  11 Sep 2014  |  Comments (3)


What do you do when your wardrobe consists largely of T-shirts, and you don't have enough room to store them? Not everyone has enough closet space to hang those T-shirts, so dresser drawers get used—and are often crammed to overflowing. Furthermore, the T-shirts at the bottom of the stack rarely get worn, because no one can see them. One solution: Fold the T-shirts and file them away, saving space and adding visibility.


Brittany Moser, on her Darkroom and Dearly blog, shows how much space she saved when she went with the folded approach. Brittany says the shirts do tend to get creases—but no more than when she folded them and laid them flat. She takes the one she wants to wear that day into the shower room with her, to steam out the creases.


Andrea Dekker has a video showing how she folds T-shirts, and Brittany has provided these step-by-step images. This all seems easy enough—but for those who want more help (or a cleaner look), there's Pliio.




Posted by Sam Dunne  |  11 Sep 2014  |  Comments (2)


This past weekend, Reddit users have been delighting in pictures of prepackaged grape juice (alas, not wine) and bread (or is that gum?) communion reportedly handed out to one church-going user's 7,000-strong congregation. The Reddit faithful were quick to dub the curiosities 'Christables' after a certain packaged lunchtray product and offered up a number of other amusing puns and slogan suggestions—from mildly disrespectful to brazen copyright infringement—including gems such as "I Can't Believe It's Not Salvation" to "# Bad dap bap bap baaa...I'm loving Him #."

As comments on the thread point towards, the incongruity that we (even non-believers) feel at the sight of this object has to do with the design language: disposable plastic + aluminum-foiled symbols of the fast and packaged food industries that is unavoidably synonymous with cheapness, convenience and transience—a culmination that no amount of script typography, biblical quotes and cross symbols can outweigh.


Posted by Sam Dunne  |   8 Sep 2014  |  Comments (0)


Only in Japan could the worlds of novelty plastic consumer goods, fast-food fanaticism and brand worship collide in such awe-inspiring, object-cultural absurdity.

The Japanese arm of fast food giant KFC recently released a suite of computing accessories in the likeness of their deep fried product. Whilst the Colonel hasn't yet taken to directly battering computing equipment (though that may not surprise some given recent accusations of some of their stores unsavoury contents), winners of a promotional giveaway could find themselves the lucky owners of a curious red and white keyboard, the keys of which replacing standard symbols with cryptic castings of miniature fried chicken pieces, giving users only the K, F and C to anchor to (presumedly touch-typing is second nature to Japanese technophile whiz kids). To make this branded computing experience complete, KFC also offers consumers the chance to wrap their hands around a disconcertingly realistic USB mouse and equally disturbing, as well as impractically large, USB flash drive—both novelties employing a rather questionable amount of plastic.


Collectors and fried chicken fanatics from Harajuku to Akihabara are surely to delight in these wild creations. Looking beyond the shimmering golden brown surface however, critics of the fast-food chain may well come to point out that such questionable objects only operate to abstract KFC's fried products further from the suspect reality of their production (current estimates for chickens put through the KFC machine at around 1 billion per year!).



Posted by Jeri Dansky  |  28 Aug 2014  |  Comments (0)


We've talked about using the walls to keep papers close at hand, and to store knives—but walls can be used to store all sorts of odds and ends.

One way to use the walls is with a pegboard; Julia Child's kitchen pegboard, where she hung her copper pots, is a famous example. The pegboard above, from Human | Crafted, takes this old standard and makes it decorative as well as functional. The board is CNC machined from a solid block of walnut; the loops and hooks are 3D-printed nylon. It also comes with five feet of bungee cord, providing one more way to hold items in place.


Droog's Strap, designed by NL Architects, is another example of taking a familiar product—in this case, the straps used to hold luggage on the back of a bike—and doing something new with it. The straps are made from silicone rubber and can hold phones, keys, remotes, books, hand tools, etc. These would work great for end users who work best when everything is clearly visible. But for others, it will add visual clutter.


The naoLoop Loft, with its polyester latex bands, follows the same general approach as the Strap, but with the bands attached to a laser-cut stainless steel (or powder-coated steel) board. Besides transforming the look, the board protects the walls from anything that might get them dirty or cause other damage.

kontextur-hanging-line.jpgPhoto: Michael Wilson

The Hanging Line from Kontextür, designed by Josh Owen, is a single silicone band. Items are stored by tossing them over the line, or hanging them from a hook. Although this was designed for bathroom use, end-users could certainly use it other places, too. It's somewhat limited in what it can hold, much more so than the Strap or the Loft—but it certainly provides more storage options than the standard towel rack.


Posted by erika rae  |  26 Aug 2014  |  Comments (5)


I know, I know—another backpack. But not just another backpack. Unlike the brightly colored or patterned varieties that are all the rage these days, this one differentiates itself through its functionality, employing powerful magnets for its modular capabilities. This isn't one of those packs you'll find on the racks of big-box retailers around the nation, prepping for the boom of back-to-school sales. In fact, you can't even get your hands on the Anti-Gravity Pack just yet. Tessel Supply launched their Kickstarter campaign earlier this month, and while they've already surpassed their $20,000 goal, delivery dates are six months out.


As its name suggests, the Anti-Gravity pack was inspired by space travel, comprising several components that can be added and taken away for a personalized system set-up. Sound familiar? Sure, we've seen a few modular pack systems before, but it so happens that Tessel Supply's previous space-themed backpack, the Jet Pack was met with a similar enthusiasm that resulted in a haul of more than three times what they were asking for on Kickstarter.

Check out this video on the inspiration for Anti-Gravity—complete with slo-mo running scenes and mountain sunsets:

As you can see, it looks good. It's surprisingly sleek for a bag with so many compartment options. Here's another video highlighting the various components of the backpack:


Posted by Jeri Dansky  |  14 Aug 2014  |  Comments (1)


When I'm working with clients who have small kitchens, it's always a challenge to find places to store large utensils—so I appreciate it when designers create collapsible versions of these kitchen tools.

One such bulky item is the colander. The OXO silicone collapsible colander is less than 2 inches tall when collapsed, but still has the features end-users value, including plentiful drainage holes and raised feet. (Some end users say the feet are a bit too short, but that seems to be a design trade-off that goes along with the collapsibility; all collapsible colanders seem to have short feet, or none at all.) End users say it feels very study, but some say that collapsing it is a bit tricky; others say it folds fine as long as you "read the directions and practice a little." But since we all know many end users won't read the instructions, it would be better to have a design that doesn't count on that.


The collapsible colander from Rösle also collapses to less than 2 inches, and end-users say collapsing it is easy. Also worth noting: The colander, when collapsed, only takes the space of a dinner plate in a dishwasher—and it has a folding mechanism which "ensures that all parts that come in contact with food remain exposed for washing" even when it's collapsed. Given how much end users comment on how easy (or not) it is to clean their colanders, this is a feature that will have a lot of appeal. And the colander has an eyelet for hanging; an end user who does indeed hang her colander says it works well.


The Joseph Joseph folding colander, designed by DesignWright, is the thinnest one around; when unfolded, it's just 1 cm (0.4 inches) tall. It's made from a single sheet of polypropylene, and uses 12 living hinges to fold into shape; a clip at each corner locks the shape into place.


Posted by Jeri Dansky  |   7 Aug 2014  |  Comments (0)


Professional organizers know that easy-to-use tools get used the most. Hooks beat hangers—and floor-standing coat racks have that "easy" factor, too.

Bonaldo's Tree, designed by Mario Mazzer, is made of polyethylene; the base has a steel disk to provide stability. (And stability is a big deal in homes with children and pets running around.) Bonaldo notes it can also be used outdoors, which might be nice especially for homes with large front porches.


The Merkled coat rack is made from powder-coated aluminum. It's shipped flat, but is designed to be easy to assemble and disassemble. (Some end users with memories of bad Ikea assembly may cringe at that.) The coat rack is specifically designed to accommodate tall umbrellas, either in the center or hanging off the top ledge. Also note those nice rounded edges along the top—easier on clothing than squared-off designs.


Coat trees can incorporate hooks or pegs in a number of ways. The Tree from Cascando, designed by Robert Bronwasser, is made of lacquered MDF; it has enough aluminum pegs to hold 20 coats. One concern: The pegs seem slippery and have no upward slant, so I wonder if some coats might slide off.


Posted by Jeri Dansky  |  31 Jul 2014  |  Comments (2)


As a professional organizer, I've helped people organize their homes and offices—and their cars. One challenge drivers have is finding a good place to keep things like smart phones and sunglasses close at hand. (Hopefully, no one is texting while driving, but there are other reasons to keep a smart phone nearby; I need mine to hear my turn-by-turn driving instructions.)

Here's one solution to that challenge: The StickyPad from HandStands is one of several non-adhesive, non-magnetic pads that goes on a dashboard. There's an interesting balance here—the pad should be sticky enough to hold items even when the car is taking a sharp curve or coming to a sudden stop, but not so sticky that it's hard to remove items when the end-user wants to. And here's one drawback: Unless the end-user moves the pad around, the part of the dashboard covered by the pad won't fade uniformly with the rest.


An alternative dashboard design is the "grass mat" that came with the Renault Twingo II. It seems like a cool idea—but at least one reviewer, Ivo Kroone, said the grass mat was better in theory than in practice. Kroone found it "annoying trying to fish small objects out from amongst the stalks." And it seems that larger items didn't fit well, since Kroone left them just "sitting on top." The positioning behind the steering wheel was also problematic for Kroone.


Another way to keep things close at hand is to make use of the sun visor. We've praised the Cocoon Grid-It products before, but the sun visor organizer is worth some additional attention. The Grid-It can hold a wide range of items; the one complaint I've seen is that the Velcro straps are not long enough to go around a large sun visor.


Sun visors have other potential uses, too. The Visor Notes from Vertically Driven provides a white board for any information a user wants to see or note, when stopped. There's a holder for the dry erase pen, and the cap of the pen holds an eraser. This product uses clips to attach to the visor, rather than the straps that many visor-mounted products use—and unlike many other products, it flips up so the vanity mirror is still accessible.


Posted by Kat Bauman  |  22 Jul 2014  |  Comments (1)


A backgrounder for those of you who don't live in Berkeley: Spirulina is a superfood. A superfood, for those who aren't obsessed with nutritional fads, is a food that is off-the-charts rich in vitamins, minerals and other stuff that is obviously yet mysteriously Good For You. Despite their grandiose title, it is a great idea to eat these uncommon comestibles; however, spirulina in particular can be a bit of work to get your hands on. It's traditionally grown in small ponds—historically in a lake system in Chad of all places—and it looks, to those without deep enthusiasm for biology, like pond scum. This is not a sexy or garden-variety foodstuff, but once harvested and dried it's easily added to other foods or taken as a supplement... at a pretty high cost. But what if it wasn't hard to harvest?


Tom Vered of Grow Spirulina has adapted (and sells) a method of home growing spirulina, and he's upped his own ante with a new standalone design, ostensibly to be sold online soon. This 10-liter machine would combine the precise biochemical and mechanical needs of a growing zone with the user-friendliness of an at-home yogurt maker. Besides the thrill of owning a unique appliance, you'd get the added benefits of taking your spirulina fresh and getting way more oomph per scoop. The literature varies on the specific difference, but even as a superfood, spirulina loses a lot of nutritional value when dried.


Posted by erika rae  |  21 Jul 2014  |  Comments (5)


As if we don't have enough meal sharing on social media as it is. It seems that you can't go more than five seconds on Instagram without scrolling upon some carefully composed food porn, whether it's a homemade dessert or a food truck delicacy. Now, the oPhone Duo promises to add another smelly layer to oversharing in the form of a scent-based system that allows people to send along a customized whiff with their snapshots. With over 300,000 different scents to mix and play with, it's a bit more labor-intensive than choosing between Mayfair and Valencia for that snapshot. (For the record, you can also attach your aromas to emails and mobile messages.) I don't think I'd be the only one who would spend a ridiculous amount of time obsessively wafting and whiffing the object at hand in order to send the perfect scent-agram.


You might remember Google's molecule-aligning prank from a couple of years ago—you know, the one that asked the important questions such as "What does the inside of an Egyptian tomb smell like?" (Their answer, in case you were wondering, is "dust, sand, bandages and gold atop mummified royalty.") The oPhone is a step toward this previously joked about tech, but from the looks of the Indiegogo video, Le Laboratoire is more about connecting people who live miles apart than helping the masses explore an olfactory encyclopedia of the world. Check out the video, which features cinematography and music worthy of Wes Anderson:


Posted by Jeri Dansky  |  17 Jul 2014  |  Comments (1)


In my work as a professional organizer, I find that almost all of my clients are concerned about recycling, and I applaud them for this. But this means we need more than a single receptacle for trash. While multiple waste baskets or trash cans will work, designers have created some more elegant answers.

The Ginebra bin from Made Design, designed by Pascual Salvador, would work well for an end user whose municipality uses single-stream recycling and who just wants to separate recyclables from non-recyclables. The lid on the bin is an optional feature; sometimes lids help, other times they just get in the way. There's a metal base to collect any spilled liquids.


The Trio recycling bin from Materia has three sections: one for paper, one for cans and bottles, and one for trash. While the paper slot is obvious, and the circle cues designers (and many end-users) into the proper slot for bottles and cans, the triangle shape for trash is befuddling—and may undermine the bin's usefulness.

Each section of the Trio has its own liner, so each can be emptied independently of the others, as needed. The clover shape means this is not a bin that tucks away nicely in a corner; rather, it would be good for larger spaces where the end users want to call attention to the recycling.


In the kitchen, end users may want to separate compostable material from other trash, and that's what the Bratatia twin bin is intended for. There's a larger bin for regular waste, and a smaller bin for compostables, with color coding to reinforce which bin is for each kind of waste. The bin is available in two sizes, since end users have different needs regarding space restrictions and the amount of trash they create.


Posted by Kat Bauman  |  15 Jul 2014  |  Comments (13)


I come not to praise the Paleos, but to understand them.

Our story starts with the premise (which we will not unpack here, for reasons of brevity and taste) that running barefoot, or as close as possible to barefoot, is a more healthy means of locomoting. Under this premise, being immediately in tune with one's physical terrain is beneficial to the body and mind, requiring greater intentionality and physical dexterity in order to cover rough ground without injury. For those who cringe at the idea of walking barefoot to the mailbox, this might be a lost point, but the "natural running" school of thought has seen major conversion over the last ten years. While the overall claims seem understandable, there are some basic logistical difficulties with barefoot running. Namely, that the bottoms of feet are pretty smooth. This means that wet/uneven/slick surfaces can be dangerously low traction, and hard textured surfaces like rocky paths and concrete can chew you up after a while.